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It’s a pungently goofy reminder that the history of “true crime” is dominated by “lowbrow” media—pulpy magazines, grocery-store paperbacks, salacious installments of Dateline or 20/20—and that its newfound sense of “prestige” is primarily a function of style.

It’s wickedly bawdy—one episode’s end credits roll over an extended description of Andrew’s dad’s testicles—and devilishly funny—another uses a note-perfect Seinfeld send-up to explain the blowjob “head push” and the term “mons pubis”—but as implied by its theme song, Charles Bradley’s “Changes,” the series is sweeter than it appears at first blush.

Its goal is to cut through the humiliations of sex, to break through the shame shellacked atop our “gross little dirtbag” selves to reveal the perfectly normal yearning underneath: for pleasure, for touch, for emotional connection; for approval, confidence, intimacy, love.

By admitting, as Andrew does in the series premiere, that “everything is so embarrassing”—and not only for teens—Big Mouth squares a space in which there’s no question that can’t be asked, and no answer that applies the same way to everyone.

It’s the streaming version of your sex-ed teacher’s anonymous slips of paper, except the laughs aren’t sniggers—they’re hard-won, empathic guffaws. Crazy Ex-Girlfriend Creators: Rachel Bloom, Aline Brosh Mc Kenna Stars: Rachel Bloom, Vincent Rodriguez III, Santino Fontana, Donna Lynne Champlin, Pete Gardner, Vella Lovell, Gabrielle Ruiz Network: The CW Don’t let the name keep you from tuning into this one—creator/star Rachel Bloom (who was recently nominated for a Golden Globe for her work on the show) addresses it before the theme song’s even over, responding to choruses of “she’s the crazy ex-girlfriend” with lines like “that’s a sexist term” and “the situation’s more nuanced than that.” And it is: Crazy Ex-Girlfriend is a clever musical-comedy (think Flight of the Conchords, if they leaned more heavily on musical theater) about Rebecca Bunch, a lawyer who turns down a partnership at her New York firm to follow her ex-boyfriend Josh to West Covina, California and try to win him back.

It’s about honest sexual expression and the joy of learning not to care when you can’t meet a lofty standard, and there’s real pleasure in discovering Tracey’s sexual absurdity. This globe-trotting and glitzy sci-fi series, created by Lana and Lilly Wachowski (co-directors of The Matrix trilogy) and former Babylon 5 showrunner J.

Michael Straczynski, drops us into a world where eight strangers in different parts of the planet are somehow psychically and emotionally linked. Marvel’s Luke Cage Creator: Cheo Hodari Coker Stars: Mike Colter, Mahershala Ali, Alfre Woodard, Simone Missick, Erik La Ray Harvey, Rosario Dawson, Theo Rossi Network:venture isn’t perfect—the structure of its villain hierarchy needed some serious recalibration—but it is good, very good in fact, and most of all it’s ballsy.If you’ve ever wondered “what should I watch on Netflix? You can also check out the Best Movies on Netflix, the Best TV Shows on Amazon Prime and the Best TV shows on Hulu. American Vandal Creators: Tony Yacenda and Dan Perrault Stars: Tyler Alvarez, Griffin Gluck, Jimmy Tatro Network: American Vandal is the tongue-in-cheek antidote to the “true crime” craze: a “prestige docuseries” on the subject of dick-drawing, set on dismantling the form from within.After all, its understanding of the form is impeccable: With dramatic cold opens, floated theories and test cases; interviews, illustrations and re-creations; careful cliffhangers and a Jinx-style hot mic, it applies the genre’s commonplaces to absurd situations with aplomb.He rejects her for being openly desirous of sex, saying she looks like if a Barbie doll “rolled around in the mud then turned into a negro.” When that fails, she falls into bed with a new, white boyfriend, Connor (Robert Lonsdale). Michael Straczynski Stars: Tuppence Middleton, Brian J.Tracey leans into and explores a sexuality that’s weird, cartoonish, and ultimately doesn’t even involve penetrative sex—Chewing Gum is instead preoccupied with the awkwardness and anxieties of sex, ignoring whether it’s unflattering and uninterested in whether or not it’s empowering. Smith, Doona Bae, Aml Ameen, Max Riemelt, Tina Desai, Miguel Ángel Silvestre, Jamie Clayton, Freema Agyeman, Terrence Mann, Anupam Kher, Naveen Andrews, Daryl Hannah Network: There is no bigger WTF TV show in the world right now than Sense8.Call it feminist, call it what you will, Call the Midwife is brave television.

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